I will check the v2 algos -how do these compare to the v1 ?Īnyway this is an amazing sounding plugin, no others really "sound" like it by that i mean this reverb def. Is there at least any chance to categorise/know which presets are "clean" and which are with mod? That would greatly help maybe. If only there were a parameter knob for modulation!!įundamental, much more than accessing basically 3 to 4 EQ pathways into the reverb imho -which the early/late eq + damping factors + output eq do. I say imho again -maybe subjective thing. Well, pianos are difficoult material yes but imho many presets have this modulation going on that isn't subtle imho certainly on pianos, making many of the otherwise amazing sounding presets almost unusable unfortunately. There's a bit more description in the manual about how the length works, but you basically get a non-decaying reverb portion whose length is controlled by choosing the decay time (which is in 11 steps 'small'/'10' as per the original device), followed by a short decay. It's not like Boston Hall A which sounds like Boston Symphony hall empty, Boston Hall B which sounds like the hall full, this is a synthetic algorithm based on a classic synthetic algorithm that didn't come with named presets. Each is just a different sounding preset, you'd need to ask Casey for any extra information on how each of the A/B/C/D were intended to be used or what he found they go well with, but I suspect they were just nice sounding presets meant to be a good place to start tweaking to your needs giving an example of how they could be used. You could twist each of those 4 presets to be identical to the others if you copied the parameters exactly. Also, what are the 4 Non-Linear modes exactly? What is the difference with A-B-C-D? And how does the "length" knob now work? How are the 10 sets different to the normal decay? It's one non-linear algorithm, and there are 4 preset variations using it.
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